That’s a shame, because you actually can use MixPad for recording live instruments. Without plug-in support though, the program becomes a lot less useful. Plug-in support would be a nice-to-have feature in MixPad, but recording is not really the program’s intended use. To record to many tracks at the same time, tap the Rec button in the control panel of the tracks you want to record to. WavePad-another program in the suite intended as a recording app-does support VST plug-ins. Tapping the Rec button puts that track into record standby mode. To begin recording all tracks in record mode, tap the main record button in the controls at the bottom of the project window. The software provides no options for setting recording levels and viewing an obvious record volume indicator, and there’s no metronome. You can name tracks and organize them, but MixPad is still underpowered in terms of adding tags to tracks to organize them, or other visual cues. Even zooming in on a clip is strangely difficult: You can zoom vertically and horizontally using arrows and buttons, but they look dated and move too incrementally. Perhaps the most glaring problem with MixPad is that there are no options for setting EQ (improving treble, bass, and other audio issues). In professional mixing, EQ is what separates a good mix from a bad one. EQ adjustments actually change the tonal quality of the clip. Back to the Radiohead example, a well-mixed song from that band has been fine-tuned so that the bass and treble, audio frequency, effects, and subtle audio variables sound unique and pleasing to the ear. You can adjust the sound wave in MixPad (how the clip changes volume level), but not much else.
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